{"version":"1.0","provider_name":"19th Subversive Festival","provider_url":"https:\/\/subversivefestival.com\/en\/","author_name":"dina","author_url":"https:\/\/subversivefestival.com\/en\/author\/dina\/","title":"Moving Deserts \u2013 Landscape as a choreography of collectivity - 19th Subversive Festival","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HjGVfVW5UJ\"><a href=\"https:\/\/subversivefestival.com\/en\/sf26\/moving-deserts-landscape-as-a-choreography-of-collectivity\/\">Moving Deserts \u2013 Landscape as a choreography of collectivity<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/subversivefestival.com\/en\/sf26\/moving-deserts-landscape-as-a-choreography-of-collectivity\/embed\/#?secret=HjGVfVW5UJ\" width=\"600\" height=\"338\" title=\"&#8220;Moving Deserts \u2013 Landscape as a choreography of collectivity&#8221; &#8212; 19th Subversive Festival\" data-secret=\"HjGVfVW5UJ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/subversivefestival.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/subversivefestival.com\/wp-content\/uploads\/2026\/05\/1920x1005-event-4.jpg","thumbnail_width":1920,"thumbnail_height":1005,"description":"Entering the cinematic world of Noor Abed entails an encounter with a space in which image, body and landscape cannot be separated from modes of narration. From the outset, it becomes evident that her works are shaped within the tension that Edward Said describes as the struggle for the \u201cpermission to narrate.\u201d This is a"}