The Waldheim Waltz Austria, 2018., 92' DCP In this dox, there isn’t that much of a waltz, although the author’s notorious protagonist conducts a brass band. As Beckermann is trying…
The Wandering Soap Opera Chile, 2017., 80' DCP After the making of Ruiz’s film which began in the early nineties was brought to a halt due to his death, his restored…
Zama Argentina/Spain/Netherlands/France, 2017., 115' DCP The long-expected return of Lucrecia Martel to feature film, which occurred after a 9-year break, can be seen as a purification of her…
Are you a leftist? 11TH SUBVERSIVE FILM FESTIVAL INTRO Just as every revolution, including the jubilee ’68, the 11th edition of the Subversive Film Festival becomes a territory, place and identity. This…
Martyr Lebanon/Italy, 2017., 84' DCP Mazen’s fresco on the lost Beirut youth and their bodies does not shrink from the ultimate nudity, never before represented to that extent…
Cinematographies of Resistance: Maud Alpi Programme conception: Leila Topić and Dina Pokrajac The Museum of Contemporary Art Zagreb is launching a new programme called Cinematographies of Resistance in…
Cinema Reborn: Cuban Cinema of the 1960s In 1959, Cuban reality changed radically with the triumph of the Revolution, and one of the consequences was the birth of a new…
The Order of Things Italy/France, 2017., 115' DCP Rinaldi is a senior official in the Italian Ministry of Foreign Affairs, specializing in the prevention of illegal immigration. He comes to Libya…
Madmen’s Fort Alžir, 2017., 139' DCP Inspired by Montaigne’s text, the author’s restless spirit is torn between three acts. The first act takes place in an old abandoned villa,…
The Gulf Having left behind a failed career and marriage, Selim returns to Izmir. Unfortunately, his arrival, filled with plans for the future, wanderings and…
Sweating the Small Stuff Japan, 2017., 114' DCP Bearing the stamp of Tokyo’s prestigious PIA Festival, which is dedicated to Japanese independent film, Ninomiy’s piece has a lot of autobiographical elements….
Cocote Dominican Republic/Argentina/Germany/Quatar, 2017., 106' DCP Films from the Dominican Republic are a rare thing, but films like Cocote are even rarer. The story of Arias’ film, which can…
The Nothing Factory 2017, Portugal, 176’ DCP After a group of workers find out that their elevator factory will go bankrupt, and the machines start disappearing from the warehouse, they…
Dušan Makavejev: Eros, Ideology, Montage edited by Vadim Erent & Bonita Rhoads Contributors: Marina Abramović, Louis Armand, Nevena Daković, Vadim Erent, Goran Gocić, Benjamin Halligan, Patrick Kinsman, Ivana…
